Experimental/Electronic

Echoterrium

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Limited Edition , first pressing of 200 copies in marble purple.Indonesian electronic producer Wandour presents Echoterrium, an album built from cassette loops, field recordings and fragments of sound collected while travelling around the world.At its heart is a simple idea: our memories are often attached to sounds. A passing train, rainfall, radio static or the sea can unexpectedly return us to a place, person or moment we thought we had forgotten. Across Echoterrium, Wandour attempts to recreate that experience through hazy ambient electronica, breakbeats, orchestral textures and the warmth and instability of analogue tape.The album takes its name from Wandour’s imagined space for these fragments: an aquarium of echoes, where half-lost memories remain suspended beneath the surface until something brings them back.That idea grew naturally from the way Wandour makes music.A self-described wanderer, he travels with a vintage field recorder and camera, documenting sounds and images that catch his attention. Environmental recordings are combined with obscure cassette loops and electronic instrumentation, then repeatedly processed through old tape decks and weathered equipment. Hiss, distortion and other imperfections are retained as part of the finished music rather than cleaned away.In an era when electronic music can increasingly be generated and perfected digitally, Echoterrium makes a case for the opposite: music shaped by physical objects, accidents and traces of the places in which it was made.Its ten tracks move through different forms of memory without becoming overly literal. The floating melodies and hypnotic breakbeats of key track Seaside Moments evoke days spent beside the ocean, while Forest Spirits pairs deep bass and breakbeats with a full string ensemble, drawing on the feeling of encountering vast landscapes while travelling.Elsewhere, Farewell Frequency turns towards separation and the strange permanence of remembered goodbyes. Nocturnal Wind takes the album into darker territory through dub-inflected bass, cello and evolving pads, while forthcoming single Sunshine Waves provides its most immediate and uplifting moment, recalling the uncomplicated happiness of being beside the sea.Those individual scenes ultimately feed into something broader. Wandour is less interested in telling listeners what to remember than creating the conditions in which their own memories might surface. Familiar melodies, environmental sounds and imperfect recordings become prompts, leaving enough space for each listener to attach their own experiences.The album closes with Midnight Flame and Static Connection, moving from the former's heavy bass, haunting piano loops and cinematic atmosphere into the latter's late-night jazz instrumentation and radio static. It leaves Echoterrium where much of the record exists: somewhere between waking experience, memory and dream.For Wandour, Echoterrium is ultimately an attempt to preserve things that cannot quite be preserved. Places change, journeys end and memories become less distinct, but sometimes a sound is enough to bring them briefly back into focus.

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Tracklist: 

Side 1
1. Movement in Time
2. Seaside Moments
3. Cloud Gazer
4. Sunshine Waves
5. Forest Spirits
Side 2
1. Echoes of Rainfall
2. Farewell Frequency
3. Nocturnal Wind
4. Midnight Flame
5. Static Connection

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L'Ecole De La Nuit

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VERLP 50

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30.00
Tracklist: 

Side 1
1. L'ecole De La Nuit
2. La Regle Du Vieux
3. Ha Mar (feat Alvaro Lancellotti)
4. Reve 36
5. White Light (feat Monica Tormell)
6. R Ville
7. A Thousand Frames (feat Monica Tormell)
Side 2
1. Beaute Taree
2. A Presenca (feat Julio Pimentel)
3. Deep Side Center
4. Monsieur Zinzin
5. Souffle Sauvage

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Blue Desert

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MH 035

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33.00
Tracklist: 

Side 1
1. Wrong Again
2. Foolish Man
3. Red Cloud
4. Down The Line
5. Pink Shoes (part 1)
Side 2
1. At Last
2. At My Door
3. My Other Mind
4. Falling Down A Well
5. Born Without A Smile
6. Pink Shoes (part 2)

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Keyboards & Strings

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Chamber music masterpiece with electronics.Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism. In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition. These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside.In 1979, 29-year-old Albert Alan Owen released Keyboards & Strings, a light magical chamber music masterpiece. Transcending the formal conventions of its era, Keyboard & Strings is an acoustic and electric piano piece, where the violin is met by synths and electronics.As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light. Quiet, profound, and immersive, Keyboard & Strings stands out as an electronic-age tone poem, a rare gem that transcends time and place.

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LVLP 2311

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28.00
Tracklist: 

Side 1
1. Mysteries I
2. Mysteries II
3. Mysteries III
Side 2
1. On Muted Strings (A)
2. On Muted Strings (B)
3. On Muted Strings (C)
4. On Muted Strings (D)
5. On Muted Strings (E)

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Southwind

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AM 2203

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29.00
Tracklist: 

Side 1
1. South Ouverture
2. Hard Soul
3. Southmind
4. Sluice
5. Mud
Side 2
1. Deep Water
2. Stagnant
3. Echoes From The Shore
4. Hard Soil

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Interstellar Fantasy

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A concept album of Analogue Electronic Sci Fi Library Grooves for Synthesisers and Percussion. Commissioned by Sonoton and inspired by the 70's & 80's Sonoton music Library Catalogue. Featuring Ayo Salawu on Drums (Kokoroko) and Greg Foat with his impressive collection of vintage Synthesisers. File under Library Music

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BCRLP 04

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Tracklist: 

Side 1
1. Interstellar Fantasy
2. Journey To Arcturus
3. Solar Pirates
Side 2
1. Mines Of Andromeda
2. Stasis Loop
3. The Lonely Robot
4. Cruising Home

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Tales From The Silent City

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LVLP 2210

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34.00
Tracklist: 

Side 1
1. Through The Night
2. Another Dawn
Side 2
1. Neutron City
Side 3
1. Way Home
2. Flashback
Side 4
1. Sanskrit
2. Fallen Angel

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Jura Soundsystem Presents Transmission Three

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Double 140 Gram LP in a 5mm Spine Shrinkwrapped sleeve designed by Bradley Pinkerton.The third and concluding edition of the Transmissions compilation series curated by IOJ Jura Soundsystem. The compilation focuses once again on rarities no longer available on Vinyl and touches upon Reggae & Dub, Ambient House, Downtempo and Leftfield Disco.Mixmaster Morris in his Irresistible Force guise opens the album with the Ambient Electronica of ‘Lotus Position’, a long time favourite that’s been unavailable on Vinyl for nearly 30 years. Full Moon Scientist pick up the Ambient Dub baton with ‘Lunar Base Dub’ segueing into Australia’s Rude Band, featuring Oz radio royalty Doug Mulray on the aptly titled ‘Doug’s Dub’ originally released on Oz Sounds in Australia in 1982, a true Balearic gem recorded long before the genre had been widely discovered. Other highlights include Mary House’s ‘Ambient’, a chuggy slo-mo piano houser originally the last track on a 7 track EP released in 1991 on Italian label Technology, and ‘Do It’, an obscure South African track by Inspiration which covers the music from Sylvester’s ‘I Need Somebody To Love Tonight’ paired with new vocals using the refrain ‘Do It’. Jean-Michel Bertrand gave his blessing to a special Jura Soundsystem version of ‘Dream Reggae’ which features long time collaborator Mike Burn adding lead and rhythm guitar to an extended edit of the song. The album closes with some Ambient Tools which should serve to raise a smile at the end of the series.

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ISLELP 010

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40.00
Tracklist: 

Side 1
1. The Irresistible Force - Lotus Position
2. Full Moon Scientist - Lunar Base (dub)
3. The Rude Band - Dougs (dub)
Side 2
1. Robert Minnott - Give Me (dub)
2. Mary House - Ambient (Krishna instrumental)
3. Mamukata - Kalimba Del Sol (DJ Jimmy Groove version)
Side 3
1. Inspiration - Do It (12" mix)
2. Optimus - Four Point One (feat Oskar Gudjonsson)
Side 4
1. Jean Michel Bertrand - Dream Reggae (Jura Soundsystem Special version)
2. Jura Soundsystem - The Boathouse (Ambient Tool)
3. Jura Soundsystem - Bonus Tools & FX

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Antipodean Anomalies 2

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LER 1031

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44.00
Tracklist: 

Side 1
1. The DNA Lounge - Lost In Translation
2. Height/Dismay - Girl From Ipanema
3. Will Kuiper - Diffusion
4. Drone - Music For Guitar + Piano
Side 2
1. Tim Gruchy - Jungles
2. TCH - Moholy Nagy Takes A Holiday
3. Cameron Allan - Tango BW
4. Electric Hand - Daintree
Side 3
1. Buchanan Holbrook - Hunger
2. Colin Offord - Absolutely Wired
3. Roger Frampton's Intersection - Open, As The Sky
Side 4
1. David Watson - The Key To A Code
2. Jane Stevenson - Soloaloha
3. LIME - Farmarimba Solo
4. Kiri Uu - Mis Sa Kavva Kodun Teid?
5. CLOUT - Two Can Too
6. Back To Back Zithers - Cicadas

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Here Alone

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GBR 044

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Tracklist: 

Side 1
1. Island
2. California
3. Rooftop Rome
4. Suede
Side 2
1. Malika
2. Retour De Plage
3. Tokyo Montana
4. Dora
5. Piano Fin

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