Canada

2018 RepressNew Artwork! A remarkable follow-up to a timeless album that shows the band taking greater risks in songwriting and playfully experimenting with production techniques.This album is Witch's stunning swansong before the fast-changing music industry and political environment in Zambia took its toll on the group. Again rooted in American FM radio, from soft rock ballads to boogie, this album sees the group embrace their Zambian roots to a greater degree, which is reflected in the rhythms and even the title of the album. This time around Patrick Mwondela pushes his synth work and electronic production to a whole other level. Kuomboka is the unforgettable last voyage of this legendary band.

2018 Repress Back again, in a fresh new sleeve. Invisible City Edition descend to even further depths and give us a fully re-mastered issue of this mythical treasure! BIG Limited Edition TIP! "For many this is the ultimate Disco Illusion; a record that should have been epoch making in its day, something that would have been a staple for David Mancuso, Larry Levan & Ron Hardy had it ever gotten distribution when it was originally released 34 years ago. Somehow time passed it by and it was only re-discovered in a warehouse in Trinidad last year. Since then it has been gaining momentum fast, with DJ support from Moodymann, MCDE, Floating Points & Kon, as well as original copies selling for four-digit sums. Part of the illusion is in the structure of the record. The A-side begins with beautiful, but relatively normal disco song, but suddenly an Egyptian sounding bridge turns the things inside out and the song opens up into a proto-house jam complete with bubbling Sun Ra synths and Black Ark tape delay action. The there�s the b-side, which sounds like Bob James after he had a taste of callaloo, with deep electronics and a mind-melting steel pan solo. Finally, thanks to Invisible City this record is getting the life it has always deserved. "

Invisible City returns with the hotly anticipated reissue of Amajovi Jovi by Durban’s O.G. kwaito giant, Sandy B. Originally self-released on cassette and a white label 12”. In its original post-apartheid context, Amajovi Jovi was a sign of youthful subversiveness, rebellious creativity and a neck snapping rejection to the fascist groove of a silenced nation. While the Pantsulla hustler nods to house legends like Jamie Principle and Pal Joey, its hip hop breaks and interludes show a clear affection for Snoop Dogg’s Doggystyle. At its slowed down tempo however, this low-fi kwaito masterpiece turns away from its American influence and looks towards Baldelli and his cosmos. Best of all are Sandy’s vocals— deep, melodic Zulu rap, sung flippantly—the way that only a true gangster could. It now stands as one of the finest glimpses of 90s party music to ever be blasted at the underground parties of the South African townships.A huge fave of Jamie Tiller, Tako and getting the big spins from Young Marco - we are proud to present a limited vinyl and cassette reissue from one of the godfathers of kwaito. Remastered and restored from the original cassette tape. Designed by Zeitype.

Recently on fire with a string of releases for the labels STAR CREATURE and TUGBOAT EDITS, HOTMOOD shows no sign of letting up with 4 more disco edits for the EDITORIAL label.

Record Kicks proudly pres. Juno Awards nominee Tanika Charles. Her debut album "Soul Run", produced among others by Slakah The Beatchild - best known for his works with Drake - will be released on Record Kicks next April the 7th.Already filed under "one of the heavy hitter of 2017" and anticipated by its first single, the title track "Soul Run" which is hitting the airwaves all around the globe, Soul Run is the debut album by Edmonton-raised Tanika Charles.The album produced among the others by Slakah The Beatchild (BBE Records), best known as a producer for his collaborations with Canadian rapper Drake, strikes a seamless balance between the warm authentic vintage Motown soul sound, yet contains a contemporary twist to it. A tricky thing to accomplish, however, Tanika has undeniably managed to achieve this, judging by the glowing reviews and support she's currently receiving from all around the globe, including a nomination at the 2017 Juno Awards (the Canadian Grammys) for best R&b/Soul album of year."The most buzzed-about Soul singer in Toronto" according to CBC network, in a few short years has transformed from an emerging solo artist to a commanding performer and bandleader, a staple in the Canadian soul scene, both on stage and off. Her touring career has seen her supporting the likes of Estelle, Haitus Kayote, Lauryn Hill and Macy Gray. Highly impressive, considering she is only just releasing her debut album to the world, after her low-key EP release, 'What! What? What!?', back in 2010.Growing up on a musical diet of Patti Labelle, Jill Scott, Bob James, Stevie Wonder, D'Angelo, Bjork and The Black Crows, Charles' eclectic music taste subconsciously shines through in 'Soul Run', an album's name that came from a tragic part of Tanika's life. Miss Charles presents an immutable charm, at times endearingly abrasive and honest in her vulnerabilities. If Tanika's singing it, she's lived it! Soul Run "is a post breakup album. It's not about a breakup as such, but about finding yourself after hitting the reset button", Charles makes clear. Tanika Charles put a modern, edgy twist on the classic Motown sound, resulting in an album that captures the ears and feet of anyone in a 5 mile radius. Fans of Sharon Jones, Lee Fields, Lauryn Hill and Macy Gray... watch out !!!